<html><head></head><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Dear Music Programmers,<div><br></div><div>I'm finding it very difficult to bridge the gap between the theory of 3D specialisation in <i>dlocsig </i>and implementing it practically using any other instrument.</div><div><br></div><div>As a fairly recent beginner to the world of programming and music technology, is there anyone out there in interet-land who could hep me understand exactly, and simply, how to take one of the standard (and, perhaps, more complicated) CLM-4 instruments and adapt it/them to use <i>dlocsig -</i> without just referring me to <a href="https://ccrma.stanford.edu/~nando/clm/dlocsig/#dlocsig-ug?">https://ccrma.stanford.edu/~nando/clm/dlocsig/#dlocsig-ug?</a></div><div><br></div><div>Though full of information, it is rather difficult to fully comprehend as a beginner, and I'm sure the seasoned CLMer's amongst you can explain some of the finer points in (almost-)lay-man's-terms without my head exploding.</div><div><br></div><div>Very best,</div><div><br></div><div>Troubled in Edinburgh</div></body></html>